Analyze the reading for its importance and value. All of these readings are very old, so why do we still bother reading them today?

This paper concentrates on the primary theme of Analyze the reading for its importance and value. All of these readings are very old, so why do we still bother reading them today? in which you have to explain and evaluate its intricate aspects in detail. In addition to this, this paper has been reviewed and purchased by most of the students hence; it has been rated 4.8 points on the scale of 5 points. Besides, the price of this paper starts from £ 40. For more details and full access to the paper, please refer to the site.

reaction paper

1. I need a reaction paper
2. just read the topic in the file I attached AND follow the instructions in that file, please
3. I need it 3 paragraphs
Paragraph #1: Identifications
Using specific terms, people, places from history (the powerpoints and/or textbook) connect the reading to specific historical developments. This paragraph must have 5-7 specific identifications in complete sentence and paragraph format. Do not write a summary.

Paragraph #2: Analysis
Analyze the reading for its importance and value. All of these readings are very old, so why do we still bother reading them today? What is their value to us? Why are they important? Analyze the reading in paragraph format.

Paragraph #3: Reaction
What is your opinion of the reading? Did you enjoy reading it? Did you like it? Did it remind of you something/somewhere/someone else? Write a paragraph
( I do not want it in professional writing because I am not a native speaker

Ah, the joy of humble beginnings…

Metallica, one of the biggest selling acts in American history, were born on October 28, 1981 when drummer Lars Ulrich and guitar player/singer James Hetfield got together via Ulrich’s LA Recycler newspaper ad. Soon, the two had recruited Hetfield’s friend and housemate Ron McGovney to play bass, Dave Mustaine to play lead guitar, and taken the name Metallica after a suggestion from Bay Area metal scene friend Ron Quintana. Their ascent was to be relatively quick, driven by sheer work-rate, effort and a rare musical chemistry. After hitting the opener’s circuit in LA (where they supported the likes of Saxon) they recorded their first ever demo No Life ‘Til Leather. The tape-trading circuit went crazy for it, and after repeatedly well-received shows in the Bay Area, Metallica found themselves relocating there after convincing bassist Cliff Burton to leave his band Trauma and replace McGovney.

East Coast metal merchant Jon Zazula pitched the band on an album deal with his indie label Megaforce Records and 1983 found them traveling to New York in a stolen U-Haul to record their first album. Shortly after arriving in New York in April 1983, Mustaine was replaced by Exodus shredder Kirk Hammett and the boys hit the studio for the first time. The resulting debut album, Kill ‘Em All, exploded onto the scene later that year brandishing punk-encrusted, crunchy metal riffery, the likes of “The Four Horsemen,” “Whiplash” and “Seek and Destroy” that were hailed as instant classics. The stellar reception in the metal community allowed them to quickly make their second albumRide The Lightning with producer Flemming Rassmussen in Copenhagen at Sweet Silence Studios during the summer of 1984. With their writing chemistry maturing at an alarming rate of knots, classic compositions such as “For Whom The Bell Tolls” and “Fade To Black” sat proudly with the aggression of “Fight Fire With Fire” and “Creeping Death.” Q Prime Management and Elektra Records both moved quickly to take the band on by the Fall of ’84, and with the road getting busier and more international, the bands’ stature rapidly grew.

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